Gothic font to Baroque Gothic influence from France at the beginning of the 13th century introduced higher, wider, and thinner buildings. The most famous S-Vitus Cathedral guide in Prague, built within the walls of the castle. The work began at the cathedral in 1344, initially in the Gothic style of the Renaissance. However, occupying 1000 years to finish, this provides its own history of the architectural styles of the city and influences. Take, for example, a bell tower originally designed as the Gothic font Parler in 1392. This was completed 160 years later in a style of revival with the masonry and copper-covered dome related to the era. When lightning damaged the dome in 1760, it was replaced by a current tri -tier, bizarre building. Examples of architecture reversals related to the era can be seen in Mala Strana (small quarter of the old city), located on a hill between the castle and the Vltava River. Narrow streets related to the Renaissance of the palaces, and bizarre churches give Mala Strana its existing charm. Parler-designed Charles Bridge, built in 1357, is the most famous attraction in Prague. However, the statues of the bizarre style, which are known, were not added until the 17th century. The old city of Prague was the working heart of the city since the 10th century. Many of the buildings have Gothic insides and romance grounds. Most of them received bizarre facades during recovery in 17 and 18 centuries after covering the whole city of fire. A beautiful example is a bizarre onion -shaped roof of the Sitkovsky water plant, which stands today, although the rest of the work was replaced by a Functionalist Gallery with a Czech architect, Otakar Novotny. The desire for revival and the Ar-Novo National Theater was originally developed by Josef Zitek at the end of the 19th century. Since then, several places have been added; The most generous Karel Prager in 1980. This consists of a square audience, dressed with glass blocks of sound insulation. In 1905, the architect Jan Koula covered a new era when he designed Svatopluka Cecha Bridge in Vltava. Significant in order to combine the two banks of the river of unequal height, its light steel structure has thin details similar cords. The great Europa hotel has one of the best saved ar-nuvo facades in Prague on the square of Wenceslas. Developed by Bedrich Bendelmayer, Alois Dryak and Bedrich Ohmann is the swarm of the abundance of extravagant parts including mosaics, metal structure, and complex lighting reinforcement. Czech modernism and functionalism Jan Kotera instilled the seed of Czech modernism in his project by Urbanek when using brick planes to create geometric facades. According to the quiet suburban neighborhood of Prague Villa Muller, developed by the Austrian architect, Adolf Loos along with Karel Lhota in 1928. This almost minimalist project is simply, unlike the bourgeois interiors of the past Prague. Who believed to be one of the most beautiful works of the toilets, this illustrates his faith that the place was something to be experienced: “The building should be dumb on the outside and show its wealth only on the inside.”Showing a combination of influences of the modernist and cubist, Joze Plecnik designed the Church of the Holy Heart in 1922. This is the church of the only nave with a massive tower that provides a glass of a dwelling with a glass clock, creating a stunning and an unusual effect. Simplicity and determination are key to functionalism, the examples of which are replete with Prague. The secondary school of L-SHAPED in the outskirts of the city of the Czech architect, Evzen Linhart is a classic example of the effective use of a place applicable to the purpose of the building. Milan Babuska originally intended that the Ara department store was looking at Mesto in the new city for a textile merchant, AMSCHELBERG. This is a smooth, white building structured by steel was one of the first to suspend the corner tower of the upper floors. Around the angle of Wenceslas, the avant-garde department store Bat’a, which was developed to sell shoes in the 1930s. Its massive space of mirror glass allowed the company to advertise its products, thus performing its function.
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